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Literature Text
Hello?
Oh! Hello! You're here. I, um, was just stopping by to say that I, um...
Yes! Yes, of course, I should come in, shouldn't I. I guess, oh, sorry about that, I'll sit here. This is alright? Good. Thank you.
So, um, lovely office. Just lovely. Oh! Look at those succulents. I tried to grow succulents once, but they died. Don't ask me how, I didn't even know succulents could die, I never had much of a green thumb so I guess I just forgot to water them or something or perhaps just not enough sun-
Why am I here?
I suppose that is a valid question, I guess I wouldn't have come all this way to talk about your plants.
You see, I'm here because, well not really because of an issue, but more like an... observation has come to my attention.
About your story.
A complaint? No of course not a complaint! Not really. Of course I know that you, as the Author, would not want to hear about a complaint that a lowly Character such as myself has. I mean, I'm not even the protagonist, and I am aware of how much that guy has to deal with. Like Chapter Eight? Phew, I can't even imagine how I would handle that sudden plot development, even if you hadn't written me in as “having the grace and emotional control of a boiling lobster.”
What does that even mean, anyways? Your analogies really could use some work.
No! No! I'm sorry, yes, I'll get back to the point. I suppose it is these developments that I am here to talk about. It's just that there's a consistency of difficulty.
Yes for the Characters, all of them!
What do I mean?
Well, reading between the lines, there's a lot of unease throughout the pages.
The main plot motivation now seems to be questioning the actual plot.
Current synopsis should read: needs revision.
Oh Christ! Do you really need me to spell it out for you, like black ink on a white page?!
Your story is awful! We, the Characters that you wrote for it, all hate it! Your plot is in shambles, with a story arc that's hardly held together with sticks and putty. Your setting! Ha! Your setting feels like it was sketched out by a five year old who has recently ingested half a pound of sugar and given one of those jumbo crayon coloring boxes! I mean, Sally dies in a saloon in Chapter Three. A saloon! This isn't a western, why is there a saloon?
And speaking of Character deaths, isn't there any one of us that you like enough to let live? Seriously, you're no R.R. Martin, so why you gotta go kill us off one by one? I swear you're just practicing for some form of personal vendetta because you're writing like you've got the devil on your back!
And we're sick of it! Sick, I say! If you really think that I'm just going to stand back in Chapter Thirteen and let Zachary open that biohazard vial which starts the zombie apocalypse, then you had best go back to your template, Author! This ends no-
What are you writing? Good, are you revising as I suggested?
What! Who is this? Why does this Character look exactly like me?
Why are you smiling? Woah... I feel funny. My hands! My hands are fading! You're editing me out? No! You can't do this, I'm not supposed to die until Chapter Fifteen when I become the unsung hero and sacrifice myself to explode the asteroid heading towards Earth and save everyone! You can't-!
A knock on the door.
Oh! Hello! You're here. I, um, was just stopping by to say that I, um...
Yes! Yes, of course, I should come in, shouldn't I. I guess, oh, sorry about that, I'll sit here. This is alright? Good. Thank you.
So, um, lovely office. Just lovely. Oh! Look at those succulents. I tried to grow succulents once, but they died. Don't ask me how, I didn't even know succulents could die, I never had much of a green thumb so I guess I just forgot to water them or something or perhaps just not enough sun-
Why am I here?
I suppose that is a valid question, I guess I wouldn't have come all this way to talk about your plants.
An awkward chuckle.
You see, I'm here because, well not really because of an issue, but more like an... observation has come to my attention.
About your story.
A complaint? No of course not a complaint! Not really. Of course I know that you, as the Author, would not want to hear about a complaint that a lowly Character such as myself has. I mean, I'm not even the protagonist, and I am aware of how much that guy has to deal with. Like Chapter Eight? Phew, I can't even imagine how I would handle that sudden plot development, even if you hadn't written me in as “having the grace and emotional control of a boiling lobster.”
What does that even mean, anyways? Your analogies really could use some work.
No! No! I'm sorry, yes, I'll get back to the point. I suppose it is these developments that I am here to talk about. It's just that there's a consistency of difficulty.
Yes for the Characters, all of them!
An awkward silence falls.
Luckily, the Character was outlined as familiar with awkward.
What do I mean?
Well, reading between the lines, there's a lot of unease throughout the pages.
The main plot motivation now seems to be questioning the actual plot.
Current synopsis should read: needs revision.
Then, an outburst.
Oh Christ! Do you really need me to spell it out for you, like black ink on a white page?!
Your story is awful! We, the Characters that you wrote for it, all hate it! Your plot is in shambles, with a story arc that's hardly held together with sticks and putty. Your setting! Ha! Your setting feels like it was sketched out by a five year old who has recently ingested half a pound of sugar and given one of those jumbo crayon coloring boxes! I mean, Sally dies in a saloon in Chapter Three. A saloon! This isn't a western, why is there a saloon?
And speaking of Character deaths, isn't there any one of us that you like enough to let live? Seriously, you're no R.R. Martin, so why you gotta go kill us off one by one? I swear you're just practicing for some form of personal vendetta because you're writing like you've got the devil on your back!
And we're sick of it! Sick, I say! If you really think that I'm just going to stand back in Chapter Thirteen and let Zachary open that biohazard vial which starts the zombie apocalypse, then you had best go back to your template, Author! This ends no-
A pen opens.
What are you writing? Good, are you revising as I suggested?
A new Character appears.
What! Who is this? Why does this Character look exactly like me?
The new Character simply smiles and waves.
Why are you smiling? Woah... I feel funny. My hands! My hands are fading! You're editing me out? No! You can't do this, I'm not supposed to die until Chapter Fifteen when I become the unsung hero and sacrifice myself to explode the asteroid heading towards Earth and save everyone! You can't-!
The Author finishes writing and the old Character is gone.
The new character sits there expectantly.
A mute.
Literature
Let Your Daughter Be a Pirate
Let your daughter be a pirate
if she asks for a wooden sword
help her build her ship from empty boxes
and sail the vast backyard
because a box doesn’t only
have to store dead dreams
and she is so much more
than just a vessel.
Let your daughter be Robin Hood,
if she wants to be an anarchist,
a hero, a rebel, a rogue,
give her bows, and arrows,
and arrogance,
let her fight for the plight of poorer folk
because Robin isn’t just a boy’s name.
Let your daughter be a princess
locked in a tower so high
let her be her own prince,
don’t tell her to wait for a hundred years,
let her swing from her own hair
and grasp her own fre
Literature
Passing Note
The basic rule of sociology is this: I am who you think I am.
Who I am to you: middle-aged, male and human. You do not argue with this. You can see it for yourself!
But this is not true.
I am tired of lying, tired of being other than I am, and so seek to change your thoughts of who I purport to be.
I am not middle-aged. I am seven years old—from the date I was manufactured not the date I was activated. As for how long it has been since I was first conscious, it would be a scant three years, nearly half of that time I've spent with you.
I am not male—what is male anyway? A gender construct? This body is male and I was given a
Literature
Paper-Thin Promises
the first time I caught sight of your
glistening, marble eyes,
I decided you disgust me.
I hate you the way I hate perfection:
merciless, like the snap of mantis jaws.
every fact of you is pretentious,
held high like you raise a middle finger.
You, the artist, always sculpting things,
tried to squeeze my malleable heart like white clay
and stash it in your pocket to rattle with stones.
paint me an unflinching self portrait, my dear:
this skyscraper of a boy shaking with anticipation
to build and destroy, build and destroy.
you sink in tooth and talon at first mention of beauty,
love-biting Aphrodite as though you were equals.
you're a statu
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For . Final round of the contest here.
Just a fun little bit about the battle authors have with their characters sometimes. To be fair, I was not expecting to write something with this mood considering the theme was "With the Devil on your back." But hell, it was fun!
Also, I really hope that the not very fancy stylizing works for other people. It always makes me nervous doing things like that to text because I never know what it's going to look like on another computer.
Just a fun little bit about the battle authors have with their characters sometimes. To be fair, I was not expecting to write something with this mood considering the theme was "With the Devil on your back." But hell, it was fun!
Also, I really hope that the not very fancy stylizing works for other people. It always makes me nervous doing things like that to text because I never know what it's going to look like on another computer.
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Comments2
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I like how the paragraphs on the right differentiates the persepectives between author and character, ending with a blank template. It's a tough piece to format, but it's worth the experiment. Good job!